Read More: Best Movies Based on Real-Life Toys In that way, they’re still a uniquely “Tim Burton” creation. They are indeed still different from the usual non-human characters that Burton’s created in the past, but the Martians that came from this process are still very recognizable. The initial hope for Mars Attacks! was to create the aliens through stop-motion animation like other Burton creatures of renown, but that job soon went to Industrial Light & Magic. Then, there’s the matter of the Martians themselves. But more than that, the cast themselves stand out, with many of the all-star celebrities in the film being given license to bring really unique or distinct characters to life. The willingness to cross lines, draw new lines, and set those lines on fire is all part of the experience in Mars Attacks! Much of the humor deals with the unexpected nature of certain actions and artifacts in the story, such as a “killer” handshake or the unexpected way in which the Martians become capacitated. This narrative features an all-star ensemble cast and a staggering amount of dark humor. This story also makes use of black-and-white color as a means to dramatize the world and the characters alike - a measure that is clearly successful and fits well within the goals of the usual Tim Burton masterpiece. Each of them still honors the original historical figures, but there is life here that stands out all the more thanks to Burton’s own hand. Tim Burton’s vision here presents the monster movie star as a heightened theatrical spirit in many ways, and it’s the chemistry of Lugosi and Wood that helps to maintain the inherent feeling of strangeness that Burton’s characters are meant to exemplify. Ed Wood’s own presence cannot hold a candle to that of Bela Lugosi played by Martin Landau. This film is full of vivid images, especially if you’re remembering the demonstrative features of Emily’s warm expressions (despite the whole corpse thing) or Barkis’s menacing, penetrating face - with a distinct, outlandish chin to really hit the nail on the head.Įd himself (Johnny Depp) presents as an eccentric icon of real-world history - his facial expressions being almost as wild and uncanny as his taste in moviemaking. Significant use of tools like low-key lighting and palette changes make the difference in worlds clear not only to us, but to Emily and Victor. That’s all the more clear in the ways that the characters’ extreme designs are portrayed, with art that emphasizes sunken eyes, exaggerated facial structures, and even deathly blue skin. A stark gothic appeal to the world itself makes this romantic fantasy truly feel like it’s set in the Victorian period. However, the very first stop-motion feature he directed himself was Corpse Bride, whose palpable flourishes of movement and character design showcase a bit of that same charm seen in those previous films. Tim Burton’s love for stop-motion was clear in his work producing films like Henry Selick’s The Nightmare Before Christmas and James and the Giant Peach.
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